Stop Making Mud In Your Oil Paintings

Download my free Impressionist Color Tips PDF for advanced beginners—so you can mix cleaner color and layer without dulling your painting.

If your color looks promising on the palette… then turns gray, heavy, or chalky once it hits the canvas, it’s not a “lack of talent.” It’s a few fixable mixing and layering technique.

In this quick, print-friendly PDF, you’ll get:

  • A simple “clean color” guide to use before you make mud that ruins the mix
  • The most common ways oils turn muddy while mixing and layering (and what to do instead)
  • Clear guidance on when to mix on the palette vs. on the canvas for fresher, more impressionist color
  • A system that teaches you how to “SEE” accurately.

You’ll become the master of your work. Every piece you paint will keep you engaged and with purpose in this unique approach to color.

If You Love Color….But Your Paintings

Don’t Reflect It Yet, You Need . . . 

This Is Perfect For You If….

  • You’ve painted a bit, but color still feels unpredictable
  • Your mixes go muddy when you start layering
  • You want an impressionist look with cleaner, brighter notes

Not ideal if…

  • You’re  painting in watercolor
  • You’re not dedicated to putting in the time

This is very different from what others are teaching
Learn To…

1. See Color Clearly
2. Mix with Precision
3. Layer with Intention
4. Painting with Confidence

To Get Started Download The

Free PDF HERE

Julie’s teaching has completely transformed how I see and paint the world—guiding me to recognize and layer the subtle “notes” of light in a way that brings color to life. Her class is both creatively challenging and deeply therapeutic, something I look forward to every week as it continues to expand my vision and love of painting.

 
Jane Donnelly – Retired Software Quality Assurance Manager.
Jane Donnelly

Retired Software Quality Assurance Manager.

I had never painted before I began taking Julie’s class and now painting is a favorite part of my week. I love how Julie teaches me to put color and light onto canvas. Julie challenges me every class to slow down, to see, and to capture the essence of the subject we are painting.

Jan Fiderio – Retired Research and Marketing Professional
Jan Fiderio

Retired Research and Marketing Professional

I’ve been a student of Julie Brayton Fine Art for almost a year. One thing that I’ve wanted to achieve in my paintings is the contrast of light and shadow, because my paintings always seemed flat to me.  Julie has shown me some great exercises to achieve that in her course “Painting the Color of Light”!  I now have begun to notice the difference of colors when in light or in shadow. It hasn’t been easy and I still struggle, but Julie is always there to give individual attention and encouragement.  Thank you Julie for all your help! – Stephen Lagace

Stephen

Retired Security Guard

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